Dead sex. Bad things.
My entire practice is one obsessive habit. (I know I don't know what I don't know I know.)
I'll give you directions. Could be fun. (I know she needs me, but I know I need her even more.) I'm leaving disjunction behind. (We may write between cracks of sidewalks, 'cause different people will understand the same thing in a different way, Public Enemy's John Ashbery and alternative modes (upending normative modes).) I've got some sentences to show yah on my sleeve. (Ready? Some are going to question the timing of this.)
I watched my stock options go to a reverse split. (And let me just say that this rapprochement has been in the works for a while.) I just sat there I started slinging shit the minute I saw her I could read her like a book. I had her, yah know I am sorry to say, I had her on the tip of my finger. (Was that sensuous? Mmmm.) Really. I just, yah know, I really. I was twirling her on the end. (I've never believed that I nor anyone else needs a title to do this.) I knew how to play her. Completely. Completely, yah know? (And finally I pulled out the most important mapping system in my life, modernists, and their masterpieces, where the count was unanimous. And the "hell yeah" sealed it —) Disjunction is dead and so is sincerity. Back tingles. Anything goes, as long as it's not on paper. (Life is too short to compromise time and resources and though it may be tempting and more comfortable to just kind of keep your head down and plod along and appease those who are demanding, hey, just sit down and shut up.)
Chills emerge. Oh, we are sailing, yes, give Jesus pants. I got some glue and a sharp web scissors. (And I've given my reasons now, very candidly, truthfully. And my last days won't be for another few weeks so the hoo-hoo arising will be very smooth.) Poetry sets priorities right. Like a Ken Doll in the wind. Posthuman redigitalizing of the future via puns and archived recipes. Pulling muscles with Michelle. (Let me go back quickly to a comfortable analogy for me — sports, basketball. And I use it because yah're naïve if yah don't see the dots appearing blue picking away right now.)
Finally she's giving me head citations. (And I know when it's time to pass the ball for victory.) Blood rushes out of penis. (I think, though, much of it for the kids had to do with recently seeing their baby brother mocked and ridiculed.) Licks wet. Whistle this time. (Let us begin with the punctuations that are not.) Hey doe! Betsit. (In fact, we look forward to swearing in head wedged against wall up there at the conclusion of our picnic.) Crudely, shrewdly. (All I can ask is that yah trust me with this and know that it is no more disjunction as usual.) The Java applet invokes duration and presence. Riched lightly. Arching four and blade middle and not touching ground. Still harrow. (And then I thought, that's what wrong.)
If every word spoken daily were somehow to materialize as a snowflake, each day there would be a blizzard. (My choice is to take a stand and effect change and not just hit our head against the wall and watch valuable time go down the drain in this new disjunctive environment.) Xaler swaJ .wollawS .pil fo cra gniwollof tfel ot htuom fo edis thgir morf gnivom pil reppu ssorca snur eugnoT. (I promised efficiencies and effectiveness. That's not how I'm wired. It's not meant to be read linearly — none of my work is. I'm not wired to operate under the same old poetics as usual.) The Bride Stripped Bare, the buck stops here, The Carpenters, the coast is clear, The Cockateer. (Though I think of the saying on my parents' refrigerator, a little magnet that says, "Don't explain: your friends don't need it and your enemies won't believe yah anyway.") Yet they did, and the history they made is worth at least one sunny summer day 137 years later. For three dinners with prime rib, loin of lamb, or filet mignon and one selection of vegetable, I'll take yah to LaGuardia. (I thought about, well, how much fun some constellations have as number systems.)
I could no longer find a way back to seeing speech as transparent. (Now, despite this, I sure don't want anyone dissuaded from entering poetics.) Hold me closer, Tony Danza. Objects In Mirror Are Closer Than They Appear. (She drives through, protecting the ball, keeping her head up because she needs to keep her eye on the basket.) It's her, Marjorie Perloff and, uh, I'm meeting her actually at the MOMA Members Dining Room for lunch today. To work with a plan that is preset is one way of avoiding subjectivity. (Really, we've just got to put first things first.) In poetry it is a little different but more so and later I'll go into that.
Yah want to cause some trouble? I quit. Eyelids close. (She's not working out.) Yah got the hang of it. (But don't do it from a desk.)